글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.

The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.

Considering that most people do not have adequate blood to interact in challenging action by using a entire belly, your body will rebel originally by generating you're feeling terrible, but This can be an expected response. I would like the group to truly feel itself well handled, Specially because it lives and lets me Reside; The posts are set, the booth of boards accomplished. Ye group additional in the vicinity of! My very own endeavor has long been cheered by the invention, that the extra carefully I reproduced the language of the original, the greater of its rhythmical character was transferred at the same time. I feel impelled, its indicating to determine,-- With honest reason, when for all, The hallowed Original To alter to my beloved German. Nicely-built you might be, 'tis never to be denied, The rest a Daring address will acquire you; In the event you but in on your own confide, Simultaneously confide all others in you. Consequently, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That's my right element. Hayward's totally omits the ingredient of poetry.

Hayward's ear did not dictate to him the necessity of preserving the first rhythm. I honor him for the individual and conscientious labor he has bestowed on his translation,--I cannot but feel that he has himself illustrated the unsoundness of his argument. Poetry is just not simply just a style of expression: it is the sort of expression absolutely necessary by a particular course of Thoughts. The English ear is suspicious of new metres and unaccustomed types of expression: you can find significant detectives on the track of every author, as well as a violation on the approved canons is accompanied by a summons to judgment. In Poetry which endures by its have inherent vitality, there is no forced union of both of these features. The creator's assumed is stripped of A final grace in passing as a result of his intellect, and routinely offers a great deal a similar resemblance to the first as an unhewn shaft for the fluted column.

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